Strange Music Was Playing in a Round Hall

Strange Music

Strange music was playing in a round hall, thirty or forty meters across, with a ceiling maybe five meters high. The turquoise floor gleamed with reflected light. Walls of blue marble, dotted with a hundred little lamps, formed an oriental pattern. On the far side of the hall, a steep, chrome-glittering staircase led up.

«Scarlatina one forty-one» came into my head.

What was that? Where from?

Some inexplicable rush of euphoria pushed me toward the staircase. My legs carried me up. On the second floor I found a pale pink floor, lilac walls scattered with lamps. Everything twice the size.

I climbed to the third floor and found myself in a space with bare ground instead of a floor: pebbles, crushed stone, boulders. The walls were papered with photo murals of a cosmic landscape that seemed familiar. Right. This was the landscape I had watched when I met Anton. Very lifelike, hyperrealistic; all it lacked was the cannonade of a distant battle, only a light humming.

A faint buzzing reached my ears. From behind a boulder painted on the far wall, a roofless car shot out. The insect-like buzz turned into the roar of an engine and the clatter of a transmission. I froze in place.

Ah… Uh… What was that?

 

The car, something like an old «Volga» with its roof sawed off, pulled up beside me. Behind the wheel sat a man, vaguely familiar. So vaguely that I couldn’t place which life I’d seen him in — childhood, school, college, or already here.

Where, though? Got it!

He’d been riding the metro too.

The driver waved a hand:

— Hey, kid. Seen the redhead? Wandering around here without panties.

— No, — I lied, for no clear reason.

— Damn it! Where is that woman? — the driver waved his hand again. His look was frantic: darting across the dashboard, over me, the side mirrors, the walls, up to the ceiling, and back down to the gearshift.

The driver was wound up, like a compressed spring ready to spring open as a winged bird. I instinctively took a step back. The car, throwing up clouds of dust, tore off toward the wall where my own path had begun.

Now what?

I couldn’t make sense of anything. Strange place, strange people, strange situations, and me, homeless, unwanted, understanding nothing. What to do? Where to go? Toward what, and why?

Here’s a fellow who got himself a car and is looking for a woman, the spitting image of Travis Bickle. Why had I lied to him that I hadn’t seen her? I could have reported: «Saw her. You need to drive to the wall, go down three floors, step out of the sphere and head for the rocks. A couple of kilometers on you’ll find a red-haired woman. She’s knocking about in a loincloth and possibly without underwear.»

Madness!

I looked up at the sky… no, at the ceiling… or whatever it was. Clouds drifted off into the distance, flowing around… a staircase. Right. A ladder stood against the wall, leading straight up into the clouds, past them. I jumped up and, along a red carpet runner that had appeared out of nowhere in this purple domain, ran for the ladder.

Climbing up twenty meters, I studied the thick mist streaming past and a hatch overhead. Push it open, or climb back down? I was scared and curious both.

I pushed the hatch. Too hard. It flew open, weightless, off to the side. I stuck my head through the opening and froze, having landed straight in a fairy tale.

Notes

Scarlattina No. 141

Domenico Scarlatti's Sonata in D minor, K.141 — a virtuosic harpsichord piece with characteristic rapid passages and an energetic rhythm, showcasing the instrument's technical possibilities.
Steel Bird

A short, wry verse by the Russian poet Igor Guberman describes waking up some mornings feeling as alive as a bird wound up like a spring, ready to work and live — a feeling that fades by breakfast.
Hyperrealism

A detailed article on hyperrealism, an art movement of the 1970s-80s, and its development in the USSR. History, key figures, the features of Soviet hyperrealism, and how it differed from the Western movement.
Travis Bickle

Travis Bickle is the antihero of Scorsese's "Taxi Driver." An analysis of the character, his symbolism, and his influence on cinema. A portrait of alienation in the 1970s.