A Quarter to Five, We Took Our Table

A Quarter to Five

June 26, 1993
Saturday
4:45 PM

At a quarter to five we took our table. I set to studying the menu, the left-hand columns. Timofei rustled his bag, adjusted it, something clinked, shifted it to the next chair over, and went still. Zhorik studied his watch, silently at first, then with commentary:

— Right, seventeen-oh-five. Not good.

Things got lousy at seventeen-ten and downright wretched at seventeen-twenty.

At half past five Zhorik shot up and vanished. Timofei and I traded glances. Clearly Zhora was on edge waiting for the buyers. I wasn’t feeling great myself. And Timofei, I’d guess, was suffering too.

I wanted something to ease the ordeal without hitting my wallet.

I caught the bartender’s eye and pointed a finger at the Heineken.

Two frothy mugs arrived.

Timofei, without breaking his watchful pose, declined. I shifted in my seat and got started.

It went down well. The second mug would go to the temporarily absent Zhorik, whom I’d forgotten about for a couple of minutes.

And there he was, bursting into the hall at a flying stride. His appearance had changed: he looked resolute, like Tsar Peter in the verse about Poltava – with a shining gaze, a terrible countenance and swift movements. Wholly like the wrath of God.

Hm. Instead of Menshikov or Sheremetev, trailing Zhorik in came a wiry, middle-aged man who looked vaguely familiar. The two of them shot straight to the corner table by the window and, bang, sat down facing each other, perched like a pair of fighters gearing up for a proper brawl. Zhorik went straight for the mark:

— So what’s up? I don’t get it.

— I don’t get it either. What’s the deal?

A pause the length of eternity threw me into a state of overstretched expectation, and Timofei into… into… … hard to say – the searcher flickered at the edge of my vision and tried to vanish into each of the four dimensions of the restaurant’s space.

— Nothing yet. What comes next is up to you, Chicha… — Zhorik didn’t so much as glance at Timofei or me. He half-rose, leaned in, hovered over the table like he was about to headbutt something… added something inaudible under his breath… and settled back down.

— Who the hell are you to talk to me like that? — the stranger named Chicha exploded, looking ready to tear Zhorka apart with his bare hands.

Zhora answered lazily:

— What’s it to you? Don’t get worked up. We’ll rewind, and everyone’ll answer for their own suit.

Chicha went limp and busied himself with his shirt sleeve, plucking at it the way John Entwistle plucked strings. He was showing that he would settle the small problem first and then move on to the large one...

Timofei began to fidget. Half-rose, sat back down, yanked at the bag, shoved it under the chair beside him, jumped up, darted off, vanished, reappeared, and blurted out: «Th-th-this. H-h-here. I’ll s-s-step away f-for f-five m-minutes. L-leave the b-bag h-h-here. If anything, I’ll g-g-g-get the m-money through A-a-andryukha…» and on the second attempt, vanished for good.

I nodded.

 

Chicha’s power of speech returned. Over the corner table churned a quiet but forceful stream of talk — about the camp and freedom, about the warden and the wandering thieves, about hardship and promises, about the articles and enormous sentences Chicha had done time on, the long prisoner transports, the vicious central prisons, and all the other collisions, unbearable, brutal, all of it bound up directly with criminal life.

Well, there you go!

All that was missing for complete bliss was a pistol in a black bag under the chair and a grim, jittery career criminal five feet away.

Half an hour passed.

Zhora was laying out the rules and terms to his companion. Chicha’s replies were barely audible.

I had the idea to shift closer to the two of them talking. Made it look like I was just moving over to Zhorik’s mug of beer, turned halfway around, took a token sip for cover, and pricked up my ears… now I could hear everything being discussed at the corner table.

Chicha stood firm that his freedom had to come without any snitches involved. Nothing else mattered to him. Zhora bulldozed forward, insisting his wish would come true on one condition: at least half-listen to the right advice. Chicha kept shaking his head, repeating that there’d be plenty of profiteers left for him to work, he wouldn’t be left gasping for air, and everything else was Zhora’s problem. Tempers flared, the talk grew louder and sharper.

– Understand, – Zhorik pressed. – Five years have passed. Everything has changed. Nowadays you won’t take anyone on nerve alone. The hawkers are finished, what’s left is businessmen with roofs. You won’t be able to squeeze anyone, because now it isn’t an article in the criminal code, it’s a straight-up move against your own. And it won’t be the cops sorting you out, it will be serious people. Men just like you will cover you for cutting into their cash.

— I’m a righteous thief, I keep to the code! And I’ve never been a rat!

— So why are you digging in, if you’re righteous? Now’s exactly your time. Time for the righteous ones. I’ll tell you what to do. How to build a proper roof, and…

— I’ll handle it myself, — Chicha cut him off.

Zhorik gulped at the air, cleared his throat, and laid down his final argument:

— Keep digging in, and you’ll never see Rikulya.

— The redhead?!! No! You promised… The old man went on about good and evil, I didn’t understand a word of it, but he promised me Rika. No, no, you can’t do that. I refuse.

– Read the contract. Article forty-two, note five. Haven’t read it? Then I’ll tell you. Wishes concerning other people are accepted for fulfillment on the conditions stipulated by a supplementary agreement. The motor, the flat, all your own concrete matters – guaranteed, and whatever concerns more than just you is written out in the note. If you refuse, then we too will spin all your little wants on the Ferris wheel in Gorky Park! The broad will decide for herself who to suck off and who to drag a clitoris across his wounded face. We have nothing to do with it.

Zhorik pulled a stack of A4 sheets out from under the table.

How could I have forgotten, how could it not click sooner! This criminal, Chicha — it was him, no question! — the one who drove his car around the giant globe hunting for the redhead with no panties, otherwise known as Veronika Sergeyevna.

Well, would you look at that!

Chicha, just like me, had signed a contract, and now he was hashing out with Zhorik exactly how his wishes and whims would be fulfilled. I pricked up my ears as sharp as I could, but couldn’t make out a word more. A chair crashed to the floor nearby. I flinched, jumping like a half-trained sapper, then relaxed when I saw it was just Timofei sitting back down.

The searcher jabbed a finger toward the corner table — how’s it going over there? I gave a vague shrug. Timofei drummed out «Smoke on the Water» on the tabletop with his fingers and signaled the bartender: «Pour!»

Two more beers arrived. Downing what had been Zhorik’s mug in one go, I started on my third of the evening.

A little wind whistled through my head, rustlings rustled, shadows stirred. The music playing overhead dissolved into the pulse of blood washing through my skull. I tilted sideways. Glanced sidelong, head bowed low, leaned my elbow on the table. Registered the state of being drunk and made my excuses to myself — breakfast was ages ago, lunch was an ice cream, and I wasn’t eating anything to go with the beer now… got tipsy… got wobbly… happens…

Notes

Four Dimensions

Four-dimensional spacetime comprises three spatial dimensions (length, width, height) and one time dimension, per Einstein's theory of relativity. In modern physics, string theory posits ten dimensions, and M-theory eleven, but the extra dimensions are considered "compactified" and unobservable. These concepts appear in both science and science fiction.
John Entwistle

The Who's bassist, nicknamed "Thunderfingers," and why plucking at fabric like guitar strings became shorthand for a certain kind of nervous, showy tension.
Guitars, Bass, Hi-Hat, and Kick Drum

Music in restaurants lowers anxiety and encourages guests to linger longer. The protagonist perceives the sounds in a distorted way due to his emotional state. The bass, hi-hat, and kick drum create a background that masks the silence while also reflecting his inner tension and heightened perception of reality.
Pushkin's Poltava

A reference to Alexander Pushkin's poem "Poltava" (1828), in which Peter the Great is described, before the Battle of Poltava, as "wholly like the wrath of God." In the 1993 novel, comparing the character Zhorik to Peter underscores his resolve at a turning point in Russian history, echoing ideas of personal strength and statehood.
"Five Years" and the Rise of the Krysha

What actually changed for black-market operators between 1988 and 1993 — the vanishing of the old-style spekulyant and the rise of "roof"-protected businessmen.
Gorky Park

The Maxim Gorky Central Park of Culture and Leisure (abbreviated TsPKiO, or Gorky Park) is a Moscow park of culture and recreation, one of the capital's largest and most popular green spaces. The park opened on August 12, 1928, and in 1932 it was given the name of writer Maxim Gorky, to mark the 40th anniversary of his public and literary career.