We Drove Out to the Countryside

We Drove Out to the Countryside

July 25, 1993
Sunday
4:00 PM

We drove out into the countryside in the Taurus, which surprised me. Zhorik explained that rear-wheel drive wasn’t built for driving through muck.

First the highway, then a concrete slab road, and finally dirt tracks brought us to some pig farms fenced off with barbed wire. Ahead of us in the ruts, a beige Moskvich Kabluk kicked up dust, with Karabas at the wheel.

We stopped.

Zhorik threw open the door, let fresh air into the car. Drummed «We Will Rock You» on the wheel, got out, stamped his feet a bit, slammed the door, and headed toward the Kabluk.

Tension crackled in the air. It felt like gangsters in leather trench coats were about to pull up and trade a crate of gold for a suitcase full of a million.

Déjà vu washed over me.

Felt like this had happened recently. Had I seen it? Or hadn’t I? Maybe it wasn’t déjà vu at all, just a mash-up of the dozens of gangster movies I’d watched?

The moment Zhorik got back behind the wheel, I pounced with a question:

— Listen, Zhora! Is it possible that I can see the future?

— Easily.

— I have this feeling, like… — I faltered, not sure how to explain the sensation.

Zhorik smirked, tore a sheet from his notebook, and drew a line on it with his pen:

— Look, time is a line. The start of the line is July first, and the end is the thirty-first.

— Got it.

— At any given moment, you can only be at one specific point on the line. Today, you can only be right here, — Zhorik pulled a needle out of his jacket lapel and stuck it through the sheet. — Right here.

— Uh-huh.

— Now here’s the trick, — Zhorik crumpled the sheet up into a paper ball: — In reality, space isn’t linear.

Zhorik stuck the needle through the ball:

— Look. The needle is you, and at any given moment you can be in different places and on different dates. And in each of them, you’re a different you.

Zhorik unfolded the ball back into a crumpled sheet and jabbed a finger at one puncture: «Here you’re a student,» then a second: «Here you’re a businessman,» and a third: «And here you’re a straight-up crook.»

I tried to picture the space, the line of time, first straight, then crumpled…

Right. Time can be deformed. And what about me myself, and my consciousness?

— A body can be in ten points at once, I get that. But what about consciousness? It has to be different in every place! Or is it one and the same?

— You’re thinking in the right direction, kid. Ever hear of the Ship of Theseus? In our case it works a bit differently. The boss, I think, already explained that consciousness isn’t tied to a body, it floats in a field. Well, more precisely, it occupies a record in a table. However many bodies you have, that’s how many records there are in the table. Sometimes there’s a glitch, and the body connects to the wrong record. That’s where déjà vu comes from. But it’s rare, and the organism gets reconnected to the right one within a couple, three seconds. Get it?

— No.

— Alright, look. — Zhorik drew lines through the punctures, ten of them, matching the number of holes. — Your essence is bouncing around in ten spaces and getting projected onto this sheet. Time can’t be deformed. But you can bend space to fit the right theory and project it onto a two-dimensional sheet. Get it?

— Sort of, — I remembered lectures on theoretical physics, where ten-dimensional spaces got projected easier than boiling an egg.

— There you go, good man.

— And then what?

— There’s no «and then.» Didn’t forget that the lines symbolize the passage of time, did you? Look.

Zhorik brought his fingernail back to the corner of the sheet and traced it bottom to top along the line with two punctures:

— You’re living along this line, — his nail passed the first puncture, — and you end up in a place where you also were, but from a different line.

And here’s the second puncture, but it originally had its own line, right here, crossing it!

— And? — I was burning with impatience. The answer was somewhere close.

— At that point, you connect to yourself from another time, for a second or two. And then you keep living along your own line. — Zhorik’s fingernail slid upward.

Right! How were these spaces arranged? How many were there? How many lines could there be in my projection?

An idiotic question slipped out of me:

— So which line are you on right now?

Zhorik smirked:

— The zigzaggiest one.

 

I fell silent, remembering how I’d watched myself out in the sands, how I’d suffered in that room for a month and a half that fit into a single night.

Still made no sense.

Nothing to do for now, might as well think it over.

— What did you do before you met me?

— Nothing. Spent half my life studying the word of God, and in the two quarters left, first I broke the word, then the word broke me.

— And then?

— They broke me, — Zhorik smiled, went on: — Was a seminarian, was a Socialist Revolutionary, was a commissar, was a fellow traveler, was a fool, and then wound up here, in a perestroika that just won’t end, going all the way back to ’56.

Whoa! An actual commissar! There he was, the man who tore the old world of violence down to its foundations...

Zhorik quietly, but distinctly, said to no one in particular: «...burned out my sentence and carved my nickname into a barrack wall with a nail, lived by the sea, played roulette, dined God-knows-who-with in a tailcoat. Let’s go!»

The engine roared, the Taurus, wheels spinning in the plowed field, lurched toward the pig farm, from behind which pulled out an eggplant-colored Moskvich Aleko, my dad’s dream car. He’d driven a four-twelve for twenty years and now dreamed of the fancier model.

Until recently, the eggplant-colored dream had seemed like a perfectly acceptable choice. Now, riding in the Taurus prompted a puzzled question: «Why not a Bucephalus?»

The Kabluk pulled up to the Moskvich, fell in behind it. The two of them pulled out onto the road, and then we rolled along in convoy: Moskvich, Kabluk, Taurus.

I kept turning it over in my head. Zhorka couldn’t have been a commissar. That lowlife, reading and following the Party charter? Not a chance, not ever!

For two hours, as we drove around the Moscow region and loaded green crates from sheds into the Kabluk, I kept thinking about the revolution, about commissars shooting gold-braided officers while, at that very same second, sitting right here behind the wheel of the Taurus...

My thoughts ran out. We drove into Moscow.

Примечания

The Socialist Revolutionary Party

The Socialist Revolutionary Party

The Russian Empire's largest revolutionary party and its Combat Organization, notorious for political assassinations — and one of the past lives Zhorik casually claims for himself.
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We Will Rock You

We Will Rock You

The Queen anthem — built from nothing but stomps, claps, and a closing guitar solo — that Zhorik drums out on the steering wheel while waiting for a deal to go down.
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The 1956 Perestroika

The 1956 Perestroika

Khrushchev's 1956 "Secret Speech" denouncing Stalin — the moment Zhorik points to as the real start of a perestroika that, in his telling, still hasn't ended.
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The Moskvich Aleko

The Moskvich Aleko

The Moskvich-2141, the last real achievement of Soviet car design — briefly more prestigious than a Zhiguli, and the dream car of Roman's father.
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The Moskvich Kabluk

The Moskvich Kabluk

The IZh-2715 delivery van, nicknamed the "heel" for its silhouette — the USSR's only factory-built light panel van, and an ideal, unremarkable ride for a criminal errand.
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The Ship of Theseus Paradox

The Ship of Theseus Paradox

The ancient puzzle about identity and change that Zhorik reaches for to explain déjà vu, consciousness, and his own theory of tangled, looping timelines.
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Zagogulina and Yeltsin

Zagogulina and Yeltsin

The Russian word for a twist, a loop, a folksy political maneuver — coined by Boris Yeltsin in 1998, five years after Zhorik uses it in 1993 to describe his own "most zigzaggy" timeline.
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